11/23/2023 0 Comments Editready software pc![]() ![]() Fixes audio track mapping for MXF sources. ![]() Fixes an issue with AAC audio tracks that misreport their channel count (some YouTube files).Better support for GoPro Hero4 timecode.Improved stability when working with AVCHD on Mac OS X 10.8.Here's the full list of added features and fixes in the 1.2.1 update. This effectively makes EditReady the best and fastest solution for professional management of Samsung NX1 h.265 footage. The big news in this update is that EditReady now supports h.265 (which the Samsung NX1 can shoot internally in 4K). Two weeks ago, Divergent Media released another update (version 1.2.1). Just in case you need a refresher on EditReady and what it can do, here are a few quick videos. Better support for Canon C100 mark II files.Resolves an issue with menu appearance when Mac OS X is in “high contrast” mode.Fixes rare crash when disclosing clip info in thumbnail list.Much faster initial loading of clip thumbnails and metadata.Audio sync fixes for some Panasonic MXF files.Better handling for files that can’t be converted to DNxHD due to resolution limitations.Support for MPEG transport stream content (AVCHD and HDV).Here's the full list of upgrades from the 1.2 release. This is a major step for Divergent Media because it signals that they're throwing a ton of resources into making EditReady not only the fastest transcoder around, but also one of the most versatile. The major news in this release was that EditReady had, in essence, gained all of the functionality of Divergent Media's other popular media management app, ClipWrap, which excelled at rewrapping and transcoding AVCHD footage in mind-blowingly short amounts of time. The first, and biggest, of these was the 1.2 update which went live right at the beginning of March. Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support.EditReady has actually had two fairly significant updates recently. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. ![]()
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